both parts of sons of slum’s “funky music” on 7 inch.

remixes from 40 thieves and leo mas & fabrice.

part 6 of 6.
modern and futuristic sounds between electronica, techno and house. all parts together make a great compilation!

part 5 of 6.
modern and futuristic sounds between electronica, techno and house. all parts together make a great compilation!

part 4 of 6.
modern and futuristic sounds between electronica, techno and house. all parts together make a great compilation!

part 3 of 6.
modern and futuristic sounds between electronica, techno and house. all parts together make a great compilation!

part 2 of 6.
modern and futuristic sounds between electronica, techno and house. all parts together make a great compilation!

part 1 of 6.
modern and futuristic sounds between electronica, techno and house. all parts together make a great compilation!

bisher nur als teil eines box-sets erhältlich, wurde v.i.p. vagabonds in power live aufgenommen beim berlin jazz festival im herbst 1978 und im darauffolgenden jahr veröffentlicht. es is ein heftiger und textlich bedeutender schlag gegen den mißbrauch von staatsmacht. zugleich ist es das letzte album mit drummer und afrika 70 bandleader tony allen.

deep techno from edit select for planet rhythm’s 50th release.

pink floyd highlights from 1987 - 2019, including unreleased live & studio recordings and 2019 remixes. the double vinyl comes with a 24 page booklet, all housed in a gatefold sleeve.

every week end im going to concrete to listen the artists who are playing there. i m talking about music with them , and do the same with people sharing the dancefloor with me.i collect all these inputs and ideas, all this energy, to define what concrete music dna is.because of this variety of people, tastes, and point of views, the label can t be reduced to one and only genre.to make the music more easy to apprehend, we are spliting the label in 3 parts, 3 differents moods, or more precisely, 3 times of the day... concrete music 7am contains the kind of music you could easily listen in our club at dawn, when the light is blue and the sun starts to filter through the mi-closed shutters. minimalistic, freaky or mellow, but always deep. concrete 3pm is definetly turned to house music. 3pm is the time when smiles are on every face, when the same vibe, the same energy, is going through every stomach in the room, and the crowd becomes one same entity. concrete music 4am aims for the more techno and black side of the music we love. at 4am, fists are pumping the air, or heads are down and eyes closed. slow or quick bpm, heavy kick or atmospheric this is what concrete music is all about...-

before there was klf, there was the jams (justified ancients of mu mu) . limited vinyl pressing of jamms first album, > 1987 what the f*ck is going on<, a brilliant sonic collage of cut and paste sampling, beatbox rhythms, and kingboy d s scottish raps. includes the hit single -all you need is love- that started it all along with “hey hey we are not the monkees” which features verses later used in the single “justified and ancient” by the klf.

strong dmx crew lp output

index:records and opal tapes present the new album from vase in 3 parts.

strap yourselves in troops! this next one by our bavarian brothers has proven to be a bit of a hit round these parts over the past year.. recently theyve been prompting many id requests with the support of dixon, ame, roman flugel & kornel kovacs and now the secret is out!

3lp deluxe features: tri-gatefold, 3rd lp curated by questlove (bonus tracks & remixes). 20 page booklet w/essays by black thought & questlove , track by track liner notes by questlove

b-stock! cover with seam split. snts records has released 6 eps arranged as parts of two trilogies, chapters and scenes, and snts s debut album proper, the rustling of the leaves. a couple other artists have also contributed remixes, with shifted appearing on scene iii and polar inertia set to surface again on the album. next, snts records will expand its reach with solo positive centre, who has released on our circula sound and stroboscopic artefacts.

the 1972 james brown album back on double vinyl, housed in a gatefold sleeve.

you just can t keep a man like carlton jumel smith down. this time around we get another soulful k.o. from his debut album in the form of -love our love affair-, a mid-tempo groover drawn from that sweet well of southern soul. one of the fortes of carlton s -1634 lexington ave.- lp is that it flows along as an entity but also revels in the strengths of its individual parts. this fourth single brings out another stylistic strain from carlton and cold diamond & mink s repertoire. after the tight intro and the vibraphone licks have set the scene there are twists and turns plus some classy action from jukka eskola on trumpet, did we mention the instrumental on the flip side? this single might be just the thing you needed to jump start the morning or blast in your sunday evening radio show.

deep ambient and experimental music from ioannis savvaidis (lower parts) on june

2019 repress .... parts 5 and 6 of this kicking series from mcde. another huge one: the a side has the trademark mcde >hook< while the flip goes deep into late night territory... brilliant.

dax j and uvb on monnom black - music for the deepest, darkest parts of the night from 2 uncompromising artists.

third of 3 parts of mr. tophat’s debut album. the double vinyl is housed in a gatefold sleeve.

second of 3 parts of mr. tophats debut album. the double vinyl is housed in a gatefold sleeve.

both parts of architectural’s “secret chapter” album as double vinyl bundle.

ax sounds join us from parts unknown...

the shanklin sessions came out of the shanklin road studio that andy sims shared with one of his partners from soft rocks, bobby coulman. acid jan started its life as a jan hammer edit that andy was doing for one of soft rocks disco powerplay releases. there were a few parts that never made the final cut, but were too good to leave, so andy got friend jaime read in to jam with the left over bits, and from that acid jan was born (none of the jans original parts made it to this finished re-incarnation). acid jan found it s way onto cynic label boss felixs usb and subsequently was played at every festival/club that felix played for about a year. when andy heard felix playing it at alfresco festival in 2016, they decided to release it on cynic. in search of a b side for the release, andy dug out the other dat s from the session acid jan was recorded at, and found sitars over shanklin, a suitably oddball track to grace the other side. a little piece of chicago via india recorded in brighton.

codex empire with a longplayer for aufnahme + wiedergabe. limited edition of 500 copies on double vinyl, housed in a gatefold sleeve.

limited black audiophile repress! carefully selected 3 track compilation. all tracks are tested and approved on the deepest floors! as usual its vinyl only! no digital release, promos or shares! 180g. blue-transparent vinyl. a1 comes from the rising german artist reyam and u better keep an eye on this guy! b1 made by our homies adjustment bureau, guys already released vinyls at pleasure zone, hypertone, body parts and more. full b-side goes to jamahr & riciar ghir and for their long waited track >indisponente<.

first of 3 parts of mr. tophats debut album. the double vinyl is housed in a gatefold sleeve.

combo lulo returns to names you can trust for their sophomore single, digging deeper into the diversified sounds of the caribbean that helped define their debut. while the first single took a jamaican foundation south into the neighboring continent, fusing the sensibilities of rock steady with those of classic afro-latin orchestras, this single goes far east. inspired by the heady and sublime sounds of foundational ska mixed with east african influences, (think buster s islam, don d s addis ababa or further east), the sieve & the sand is a brand new composition within this natural order, albeit with the fortune of different reggae eras and studio styles to draw from. divided into two parts (but also available seamlessly as it was played in the studio), combo lulo s talented players move effortlessly from the galloping shuffle of ska into a deep and dark, roots radics-styled instrumental. its a lovely ode to the original styles of reggae, but also another impressive accomplishment that will surely leave listeners and new fans in anticipation of the shape of things to come for combo lulo.

to date, rimini s duca bianco has put out just two 7inches, by cherrystones and tom bolas specifically. now the label widens the net with a various artists 12inch that features four disco-not-disco burners for adventurous party people to shake down to like they re in 1980s new york. s&c present drug of a nation, a raw, funky garage rock jam embellished with wild synth parts. tom bolas brings things to a more afrodisco flavoured peak with a cheeky famous funk lick and killer robo vocoder. hanoben / adsx take things in an italo direction with dreifaltigkeit with some incredible vocals to boot. schmoltz sets things adrift in supreme balearic style on starnight.

keysound recordings are excited to present three very unique cuts from scratcha dva x gage: “flytnurse,” “piffd” and “flytnurse (darqmix)”. dark, euphoric, weighty, and somewhat restless, they defy obvious categorisation. gage has made himself a formidable reputation by releasing some of the most forward-thinking darker dance music in the last three years, predominantly on the ever-quality crazy legs imprint. “telo” was a standout dancefloor moment, equal parts impactful and experimental, quickly followed up by the -mercury ep,- -2017 stay paro- and his banger-collab with kevin jz prodigy, -bad bitch.- scratcha dva first appeared on keysound 66 releases ago with the explosive dread grime anthem “bullet a go fly” featuring badness, riko, flowdan and killa p. but in truth he has a lengthy production back catalogue both before and after that 12”, with albums on hyperdub, his new “interludes” project and a track on the recent landmark kode9 & burial fabriclive 100

the first release on power trio, the new label from ben nevile dedicated to a return to musicality.

started out as a reggae, lovers rock band in the late 70’s, the cool notes consolidated their reputation in the 80s, after turning towards more soulful sounds and have signed different hits, all finished straight into the upper parts of the charts. “i wanna dance” and “blown it” released for the sour grape label owned by patrick mulpeter and danny ryan, both former member of the band gold, are two gems inexplicably left in the shadows, but as often happens, later appreciated as essential spins, in the selection of champion djs.

following a split tape with ondness on discrepant s imprint sucata tapes , serpente returns to tormenta electrica after its debut with rituais 101 . a circular suite in four interchangeable parts, a noiva projects itself as a gateway into off kilter hypnosis summoned from ecstatic polyrhythms, jungle debris, dub tactics and the occasional 4/4 thump via free jazz streams of consciousness. a drawn out percussion workout around the communal fire. come along. we re here.

big news on the apparel tronic side. were here to celebrate another step forward of our newest label introducing the 7th release on the catalogue & 2nd on vinyl, by an artist we really admire and were delighted to have on board with us: julian habib aka inkswel, on this project with his alias that dude inkswel. the man himself created an 8 tracks lp which truly represents our spirit of experimentation, this time round steering towards a more jazzy influenced hip-hop, shaped up staying true to the sound we love. the sound lp features dope collaborations such as the detroit vocalist and multi-instrumentalist brownstudy singing on the opening and title track, the amazing progressive artist maia von lekow giving her voice for b1 track mother alongside mista monk, the superb han litzs flute and trujillo on kellin it & also divine species on galaxies and mr. shem rapping on a3 track dedicated to mr. schem. this work is a bold and captivating selection of different styles belonging to the same soul orchestrated by inkswel and his musical mastermind, listening to the sound is like jumping on a caravan for a journey where every track is a different stop: crunching beats, deep bass lines, psychedelic melodies. the ingredients for this amazing recipe are all coming from different parts of the planet, a place that inskwel seem to have written on his palms seen his capability of bringing different music influences under the same roof, where he finally invited apparel tronic to hang for a bit. racks such as ‘snooker club and ‘viejos delve into more caliginous, idm territory.

limited deluxe edition with both parts of the lil’ peep album “come over when you’re sober” - 1x pink & 1x black vinyl in gatefold sleeve.

after his 12- on oye black label martin georgi is back on his own imprint quiet elegance. two sampled based deep house tracks with his unique mpc style. vocal parts combined with dusty beat programming brings the perfect soulful house flavor. 9 to 5 is killing me!

limited edition of 750 copies - 1st vinyl is black, 2nd is red.

limited edition of 750 copies - 1st vinyl is black, 2nd is orange.

after a little hiatus hamids h+ ( hpls ) returns with the addition of dcha-dcha to its roster. the latter debuts on the label with opus incertum, a ten trackers album split across two parts, each packing a compelling assortment of sonic swindles and trickeries. opus incertum showcases a subtle mixture of slow and fast, with each track having its own colors and twists but yet achieving to remain part of a cohesive assemblage delicately crafted for your listening pleasure. artwork from: kieran behan

after a little hiatus hamids h+ ( hpls ) returns with the addition of dcha-dcha to its roster. the latter debuts on the label with opus incertum, a ten trackers album split across two parts, each packing a compelling assortment of sonic swindles and trickeries. opus incertum showcases a subtle mixture of slow and fast, with each track having its own colors and twists but yet achieving to remain part of a cohesive assemblage delicately crafted for your listening pleasure. artwork from: kieran behan

originally released in 1986 under luis delgado s cult imprint -el cometa de madrid- produced by luis delgado (finnis africae, mecánica popular) and performed by patricia escudero, this beautiful record dives into erik satie s compositional work thru an experimental optic. entirely recorded on synthesizers, and making heavy use of fx and timbral manipulation, this recording brings out a satie that s never heard before. additional info: -this record was remastered and cut from the original tapes. however, those tapes were highly affected for what is known as the sticky shed syndrome, and were very deteriorated. even though that was professionally taken care of, it was a very long process to get a result that exceeded our standards to be pressed. that being said, there are very few parts were you might find an slight change on sound that was impossible to eliminate completely, due to the above mentioned issu

reissue of omd’s 4th album from 1983. half-speed mastered at abbey road studios, comes with download code included.

tape archive presents aswa s first project: leftlovers. a computer music selection collected from 2014 to 2018, built in 2 parts (Études and attempts).

yugen’s third entry, laurine, arrives courtesy of los angeles-based producer and these things take time label-head b. hayes. at just 22 years old, hayes has packed remarkable perspective into this immersive deep-house four-tracker. it’s the work of a true participant. as if hayes work as a dj, producer, and label owner wasn’t enough, he has also put in time as a diy party promoter (he threw the beloved like i, love u parties that used to go down in the chinatown area of chicago) and a production assistant at chicago dance institution smart bar. the sum of all these parts is hayes impeccable ability to balance functionality with sonic taste.